Fox Audio Post-Production has once again used the power of manipulation to create interesting new sounds. "Electromagnetic – Field & Emissions" is a collection of the various machines we see in our day-to-day – such as coffee makers, washing machines, phones, WiFi routers, shavers, TVs, etc. – but you wouldn’t know it from hearing the demo. These sounds have been twisted and experimented with to bring out static rhythms, buzzes, and sweeps that are perfect for your harsh transmissions or ghostly ambiences. Check out the demo and hear for yourself!
If you are looking for sci-fi tones with more overt character, you’re in luck! Space Ambiences - Drones & Atmospheres has 25 ambiences and drones that are thick with moody details. These dark sounds give all sorts of vibes, from a weird sense of solace to foreboding dread to mystical anxiety. Plus, each atmosphere is seamlessly loopable for quick implementation. If you want your soundscapes to feel like they're abstractly cautioning your audience, give this one a listen.
"Space Racer 2 – Turbines & Engines" by Fox Audio Post-Production isthe second installation based on their popular podracing library theme. In this collection, you'll hear the engines and turbines of podracers with their startups, idling, accelerations and decelerations. It really is the perfect companion for their first Space Racer library! If this is your world’s primary mode of transportation, then definitely give this library a listen.
With over 60 sounds, you will find podracers of all shapes and technologies with massive flanging vehicles, quick stuttering pods, booming plasmic rumbles and much more.\rWhether you have an intergalactic competition or a more contentious extraterrestrial war, you will find your futuristic vehicle passbys here.
"Sub Sonic Bass – Mini Library"is a library focused on those cinematic bass drops you often hear in action and sci-fi trailers and films. This library has 30 bass drops that last from three to seven seconds and reach those ultra-low frequencies that shake your audience to the core. The files are delivered at a 96kHz sample rate, so you’ll have the freedom to sync them how you need for maximum impact. For dramatic effects for your trailer, game or song, listen to the demo and feel these heavy drops yourself.
This library is born in the aim of bringing ultra high quality malleable materials for sound designers with extensive organic variations in the realm of horror/gore.
This collection of sounds gives power to bring the most gruesome and disgusting scene alive with vivid realism.
Each file has a great amount a variations of the same sound. In the meantime, the extensive frequency range provided by the Sanken co-100k and the Sennheiser MKH-series microphones allows extreme pitch-shifting.
Let’s express creativity by layering these sounds and pitch-shiftings with almost no limits!
* Disclaimer: no humans or animals were harmed in the making of this library
The Fun Monsters library is a collection of 18 cute little monster vocalizations.
Funny Monster Voice Sounds
These are non-textual variations of actions and emotions recorded by voice actors.
They were carefully recorded, edited, classified, thoroughly metatagged.
These sounds are suitable for cartoons, games, and any projects featuring cute funny and comic characters! It is delivered in 192Khz which allows for additional pitch and treatments.
The library encompasses 315 sounds of cracklings, frictions, impacts, and squashes. Part of the sounds were recorded in the field, on thin ice layers recovering lakes. Part were thoroughly recorded in studio. Also the debris sounds have a particularly interesting sonic texture due to the process of slightly melting and freezing again, which gives them this special crispy crusty quality.
Textures & Tensions
These unique focused sounds have been edited meticulously making them easier to integrate in any audiovisual project or interactive program. The rare distinctive quality of these recordings also allows them to be a base for any sound experimentation through a creative process; and can be layered with other sounds or treated in order to produce interesting sound design. All in all, these brittle coarse sounds constitute a practical pool for sound designing. A must-have for ice fractures, frictions, fissures, and tensions.